Sunday, April 17, 2011
Blog Post #1
Friday, April 15, 2011
Blog Post #1 Response: What I expected
Blog Post #1 Response: Perceptions and Expectations
Personal experience and perception have a profound impact upon both the reader as well as the author of a story. The author’s personal experiences and perspective interact, conflict, and meld with the reader’s own experiences and perspective creating a dynamic perspective that changes from reader to reader. The closer the reader and the author’s perspectives and experiences the more “occupied” the reader will be with the author’s thoughts. However, this similarity of though is not simply one dimensional and unidirectional – and not knowing Rowling’s personal experience – it flows both ways and it can be inferred by the similarity of thought that author and reader have had similar experiences or great empathy with them.
Consequently, it is this likeness of thought and shared experience as well as the shifting expectations that lead me to conclude that Rowling see herself as Dumbledore. Always guessing, sometimes believing, and perhaps even knowing the outcome of events while never fully sharing the extent of what she knows or believes to be true. In the same manner that Dumbledore fails time and again to fully explain things as he know them, Rowling continually creates façades of truth, supporting arguments, and convincing evidence only to shatter the whole structure in one fell swoop. As Dumbledore gave Harry only what he needed to know in order to build his character and personal strength, Rowling gives the reader just enough evidence and a dash of foreshadowing to build a myriad of possibilities.
Blog Post #1 Response: Expect the Unexpected
The wizarding world is full expectations. There are expectations about people, expectations about experience, expectations about behaviors, all kinds of expectations. It is true, that if expectations were always fulfilled in stories, then there wouldn’t really be much of an exciting story to tell. In the first book, the Dursley’s expected that if they kept Harry away from news of the wizarding world and never told him about his parents, his past, or where he came from, that the magic would be “squashed out of him.” If that expectation had been fulfilled and Harry never found out he was a wizard, there wouldn’t be a story to tell, especially one spanning 7 books! After leaving the Dursley’s and coming to the wizarding world, there are all kinds of expectations. At Hogwarts, there are expectations that students behave and follow the rules, because that’s what keeps the school orderly. As we all know, Harry has some kind of disregard for the rules, creating another failed expectation. There are so many failed expectations that follow, including Harry and Ron’s expectation that flying the car to Hogwarts would be a good idea, which it wasn’t. There are several expectations Harry, Ron, and Hermione have towards Snape, in particular, that inevitably turn into failed expectations. They thought that Snape was trying to curse Harry to make him fall off his broom during quidditch, and then they were sure Snape was after the Sorcerer’s Stone, and both of those expectations were failed. Of course, there couldn’t be a story without some expectations that are met. It was expected that Harry was going to be a great quidditch player after the remembrall incident, and he was a great player. Ollivander had an expectation of Harry from the moment that Harry bought his wand, that Harry was going to be a great wizard, and he seems to be so far in the series. Hermione is expected to be the best in her year, and she seems to be throughout the first two books, without doubt. Expectations that are actually met in a literary sense create a basis for a story, while the expectations that are failed drive the story to be interesting and action-packed. It is important to have a balance of failed and met expectations, for without both, the story wouldn’t really be very interesting or exciting, it would just be a plain story about somebody’s life.
Prompt #1: Skewed Ideas
People are constantly attempting to interpret the underlying or sometimes subconscious meaning behind an authors writing. To me, this is similar to dream interpretation. What is symbolic to one may just be a simple location or inanimate object to another. Without knowing or speaking to the author, it is not 100% possible to know why he/she wrote specific things or if there is even a “hidden” meaning. Amy Tan read an analysis of her book and it had been interpreted as a way to translate her growing up as a 1st generation Chinese American and how all of these things must have been meant to show her feelings of blah, blah, blah. She is quoted as saying how she was so surprised to find out she had accidentally written about this. What is read will always be different to every individual because no two experience a single activity in the exact same manner.
The expectation of Harry to become a truly spectacular wizard arises at the start of the first novel. As the books progress, Harry can kind of be a ninny. He is not exactly brilliant and he seems to get by on sheer dumb luck. With out his friends or “fate”, Harry would have died in the Chamber of Secrets assuming he would not have died by the hands of the troll on Halloween. This theme exists through all of the books. He only survives in the Goblet of Fire because of a glitch in the wands. This fails to fill the need to a powerful hero.
Expecting the acceptional exceptions of expectations
Major Themes in The First and Second Harry Potter Novels
Death is obviously a major theme because it surrounds the entire life of Harry. If it wasn't for the death of his parents, we wouldn't have the same stories. Death is this all encompassing things within the stories, especially at Hogwarts as dangerous as it is and with all the ghosts floating around constantly to remind you. What is very interesting about Harry's relationship with his own death is he seems not to fear it as much as a child normally would, but he certainly isn't praying for an early demise as one might living with the Dursley's for ten years. Death reveals the strong resilience within Harry and also his courage. Death is an imporant theme to keep in mind when understanding how trust and the past and present work. As we've discussed in class before, knowing who to trust is important because it can either save you or get you killed in the wizard world. For instance the present works as such, Harry trusts Ron and Hermione (characters in a certain class system, underdogs) but not Draco Malfoy. The past reveals people trusting Tom Riddle, the once nice, good student at Hogwart's instead of Hagrid. Unfortunately, enough people join Tom Riddle becoming Voldemort and they basically kill a bunch of people. Trust is more prominent in Prisoner of Azkaban so I won't go further into it despite everyone having read it already. But certainly death and trust issues follow on the time line leading up to Harry and his friends who are forced to deal with the issues as they keep peeling back the past further and further. Perhaps forced to deal with isn't the right term considering Harry does go looking for the answers. The driving force for him is most definitely his search to understand himself through his past, the past of his parents, and the past of the wizard world in which he's been plunged.
Harry Potter Books 1 and 2
Thursday, April 14, 2011
Blog Post #1 Harry Potter Expectations
Blog Post #1-The power of stories
Wednesday, April 13, 2011
Blog post one- the magic of reading
Blog Post #1 - Expectations
Blog Post #1- Expectations within Chamber of Secrets and Sorcerer's Stone
Expectations in the first two Harry Potter novels.
Tuesday, April 12, 2011
Blog prompot #1 - Expectations within the first two Harry Potter novels
Blog post # 1 - Perception of Perspective
Blog Post 1- Expectations
Monday, April 11, 2011
Blog Post #1 Response: Expectations Suggested and Dashed: Pathos in the Making?
If we construe the “Harry Potter” series as a true literary text, we must read it, understanding that our expectations for the plot and its characters are unlikely to be fulfilled. In the first book, Rowling suggests that the Dursleys will suffer from ultimate divine retribution for their cruel behaviors. This expectation is augmented by Hagrid’s surprise appearance at the hut on the rocks, a situation in which he threatens Vernon Dursley and expresses his dismay that Harry has been kept in the dark about his true past. Since Harry is the clear protagonist, we as the reader want his cruel Muggle family to suffer for their unfairness. This expectation is fulfilled, although on a relatively superficial and minor scale, when Dudley must live temporarily with his pig tail. In the second book, expectations for Ron’s behavior are raised and dashed. When Ron and Harry opt to fly Mr. Weasley’s car to Hogwarts and crash it into the Whomping Willow, we finally understand that Ron Weasley is more like his brothers Fred and George than like Percy, an unfortunate realization for his mother. He will have the heart of a lion and a moral compass directed more towards fun and adventure than responsibility. That Ron is heroic and his little regard for the rules explain why the two are such good friends and why Ron is always involved in Hogwarts mischief. Our expectation for Harry’s Quidditch career is fulfilled, since we are told that his father was a great flier and come to learn that Harry too has a similar knack for the sport, judging by his ability to recover Neville’s Remembrall and his being situated as the first First-Year seeker in a century. When an author fails to fulfill an expectation, the reader is forced to rethink he approach to characterization and place those events into a different spectrum. New events must then be cast on a different time-line, one which has a different ultimate ending. Our ideal ending for characters is exactly that, an ending which we have created in our ideal literary universe, which is not the same as the one which the author had in mind.